Monthly Archives: March 2014

Shyama Sastri & Natakurinji

Natakurinji – Paucity of Kritis Though Natakurinji is a very popular raga with instantaneous appeal, yet it isn’t characterized by a corpus of well-known kritis.  If a musician renders or plays a Chakkani Raja or an Endukupeddala or an O … Continue reading

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